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梁硕恩|Simon Leung



      梁硕恩生于香港,居住在纽约和洛杉矶。他是加州大学尔湾分校的艺术教授。他的作品出现在威尼斯双年展(2003 年)、广州三年展(2008 年)、维也纳忠利基金会、华沙乌亚兹多夫城堡当代艺术中心、柏林NGBK、加拉卡斯的萨拉门多萨、惠特尼双年展(1993 年)、纽约现代艺术美术馆、洛杉矶当代艺术馆和洛杉矶哈默美术馆等。梁硕恩创作过的项目包括:格里菲斯公园的歌剧;探讨艾滋病问题的现场表演及视频;关于“越南战争的剩余空间”的三部曲;作为伦理话语的杜尚作品的延伸提案;借艾伦·坡以思考现场/ 非现场的辩证关系的作品;以蹲姿为表现对象的场景特定作品;探讨艺术与劳动交错点的“艺术工作者剧院”;以及与Warren Niesłuchowski 持续了二十多年的合作。

Simon Leung

Simon Leung was born in Hong Kong and lives in New York and Los Angeles. He is Professor of Art at the University of California, Irvine. His work has been presented at the Venice Biennale (2003), the Guangzhou Triennial (2008), the Generali Foundation (Vienna), Ujazdowski Castle Centre for Contemporary Art (Warsaw), NGBK (Berlin), Sala Mendoza (Caracas), the Whitney Biennial (1993), the Museum of Modern Art, MOCA (LA), and the Hammer Museum. Leung’s projects include an opera set in Griffith Park; a live/video performance addressing AIDS in the figure of the glory hole; a trilogy on “the residual space of the Vietnam War”; an extended proposal of Duchamp’s oeuvre as a discourse in ethics; a meditation on the site/non-site dialectic by way of Edgar Allan Poe; context-specific works centering on the squatting body; “art workers’ theater” addressing the intersection of art and labor; and a twenty-plus year collaboration with Warren Niesłuchowski.