My works are encounters.
Private acts of heroism and the stories of mini-utopias that go untold, hidden underneath the surface of the everyday nourish what I do.
I try to trip reality up, releasing its potential energy, searching for icons that have lost meaning and archetypes long forgotten.
I spend long periods getting closer to a subject, periods made up of intervals, waiting, arbitrary gestures, the chance of failure.
In the images that I chase, neighbouring worlds are brought together in a space-time outside of the present moment, somewhere near the dream state. These images are ambiguous, vibrating between the improbable and the plausible, mixed from a strange kind of nostalgia, beyond my day-to-day, beyond my routine. It’s a nostalgia for something that has never existed, a memory of something that never really happened that I decide to create, a sort of future that might have been able to happen.
For me the camera is a tool that allows me to remodel time, to transform events, that has the capacity to unmask: playing with the present and the future to reshape that very present.
It is an instrument for dialogue, ritual and performance.
Photographs, videos, drawing, documentation, memory and transcriptions are woven together in rhizomatic narrative forms. My works are open, made up of intervals, deviations, unexpected coincidences, they are a mirror on my encounters.
掌握Photoshop, Indesign, Final Cut Pro的基本操作。